This laugh-out-loud chronicle charts a year in the life of Bridget Jones, a single girl on a permanent, doomed quest for self-improvement–in which she resolves to: visit the gym three times a week not merely to buy a sandwich, form a functional relationship with a responsible adult, and not fall for any of the following: misogynists, megalomaniacs, adulterers, workaholics, chauvinists or perverts. And learn to program the VCR. Caught between her Singleton friends, who are all convinced they will end up dying alone and found three weeks later half-eaten by an Alsatian, and the Smug Marrieds, whose dinner parties offer ever-new opportunities for humiliation, Bridget struggles to keep her life on an even keel (or at least afloat). Through it all, she will have her readers helpless with laughter and shouting, “BRIDGET JONES IS ME!”
Jane is a young New York woman who can never seem to find the right man―perhaps because of her secret obsession with Mr. Darcy, as played by Colin Firth in the BBC adaptation of Pride and Prejudice. When a wealthy relative bequeaths her a trip to an English resort catering to Austen-obsessed women, however, Jane’s fantasies of meeting the perfect Regency-era gentleman suddenly become more real than she ever could have imagined. Is this total immersion in a fake Austenland enough to make Jane kick the Austen obsession for good, or could all her dreams actually culminate in a Mr. Darcy of her own?
Pride and Prejudice is a novel of manners by Jane Austen, first published in 1813. The story follows the main character, Elizabeth Bennet, as she deals with issues of manners, upbringing, morality, education, and marriage in the society of the landed gentry of the British Regency. Elizabeth is the second of five daughters of a country gentleman living near the fictional town of Meryton in Hertfordshire, near London. Page 2 of a letter from Jane Austen to her sister Cassandra (11 June 1799) in which she first mentions Pride and Prejudice, using its working title First Impressions. Set in England in the early 19th century, Pride and Prejudice tells the story of Mr and Mrs Bennet’s five unmarried daughters after the rich and eligible Mr Bingley and his status-conscious friend, Mr Darcy, have moved into their neighbourhood. While Bingley takes an immediate liking to the eldest Bennet daughter, Jane, Darcy has difficulty adapting to local society and repeatedly clashes with the second-eldest Bennet daughter, Elizabeth. Though Austen set the story at the turn of the 19th century, it retains a fascination for modern readers, continuing near the top of lists of “most loved books.” It has become one of the most popular novels in English literature, selling over 20 million copies, and receives considerable attention from literary scholars. Modern interest in the book has resulted in a number of dramatic adaptations and an abundance of novels and stories imitating Austen’s memorable characters or themes.
When a friend urges Stephanie Cohen not to put all her eggs in one bastard, the advice falls on deaf ears. Stephanie’s college crush on Craig Hille has been awakened thirteen years later as if soaked in a can of Red Bull and she is determined not to let the guy who got away once, get away twice. Stephanie, a 32-year-old paralegal from Washington, D.C., is a 70’s and 80’s television trivia buff who can recite the starting lineup of the New York Yankees and go beer for beer with the guys. And despite her failure to get married and pro-create prior to entering her thirties, she has so far managed to keep her overbearing mother from sticking her head in the oven. Just Friends with Benefits is the humorous story of Stephanie’s pursuit of love, her adventures in friendship, and her journey to discover what really matters.
Heather Wells Rocks!
Or, at least, she did. That was before she left the pop-idol life behind after she gained a dress size or two — and lost a boyfriend, a recording contract, and her life savings (when Mom took the money and ran off to Argentina). Now that the glamour and glory days of endless mall appearances are in the past, Heather’s perfectly happy with her new size 12 shape (the average for the American woman!) and her new job as an assistant dorm director at one of New York’s top colleges. That is, until the dead body of a female student from Heather’s residence hall is discovered at the bottom of an elevator shaft.
The cops and the college president are ready to chalk the death off as an accident, the result of reckless youthful mischief. But Heather knows teenage girls . . . and girls do not elevator surf. Yet no one wants to listen — not the police, her colleagues, or the P.I. who owns the brownstone where she lives — even when more students start turning up dead in equally ordinary and subtly sinister ways. So Heather makes the decision to take on yet another new career: as spunky girl detective!
But her new job comes with few benefits, no cheering crowds, and lots of liabilities, some of them potentially fatal. And nothing ticks off a killer more than a portly ex-pop star who’s sticking her nose where it doesn’t belong . . .